Russian Speech. 2024. №2
| Irina V. Kryukova Santa-Barbara: Semantic Transformations in the Russian Linguistic Culture |
7 - 17 |
| Valeriy M. Mokienko Alien in Its Own: Borrowings in the New Russian Phraseology |
18 - 36 |
| Nina N. Rozanova Bosyakiʼ, ̔Bosotaʼand ̔Nishchebrodyʼ: the New Life of Old Word |
37 - 51 |
| Elena V. Sen’ko Ambitious and Self-Sufficient, or the Change of Spiritual and Moral Paradigms |
52 - 64 |
| Alina S. Alekseeva On the Origin of the Borrowing Верги in the Russian Northern-Western Dialects |
65 - 76 |
| Ivan S. Dobrovol’skii The Rule of Replacing the Grave with an Acute in Church Slavonic: Further Details |
77 - 89 |
| Ol’ga E. Belova Tyrannical Characters by A. N. Ostrovsky in View of the Primary Speech Genres |
90 - 97 |
| Sergei A. Vasilev “Oh, You, That in Sorrow You Grunble Against God in Vain, Man!..” Functions of the Lomonosov Quote in N. V. Gogol's Comedy “The Inspector General” |
98 - 105 |
| Darja M. Dedkovskaya “Composite formations” as a Stylistic Device (Based on the Material of D. I. Rubina's Novel “Maniac Gurevich”) |
106 - 116 |
| Nika R. Testova Catherine the Great’s Pastoral Comic Opera “Fedul and His Children” as a Cultural Pattern |
117 - 127 |
ISSN 0131-6117
