| 2024, 3 |
Olga D. Parshina |
The Precedent Phenomenon v derevnyu, k tetke, v glush', v Saratov as a Linguoculturally Significant Reference to the Province |
7-19 |
| 2024, 3 |
Elena E. Seregina |
«What Dakha Gives – Vzyakha Vzyast»: Verbal Substantives in Russian Subdialects and Modern Poetry |
20-32 |
| 2024, 3 |
Sergei D. Shelov, Tatiana D. Chetverikova |
Once Again on the Term Characteristics as Parts of Speech |
33-41 |
| 2024, 3 |
Tatiana S. Sadova |
Letters of Tsarina Evdokia Lopukhina in the Printed Manifesto of 1718 |
42-52 |
| 2024, 3 |
Anatoly V. Kulagin |
Kulagin A. V. “Thoughtfully and Meekly”. Behind the Line of Okudzhava's Song “The Visiting Musician” |
53-66 |
| 2024, 3 |
Surat I. Z. |
Poetics of Semantics’ Broadening. Notes on O. Mandelstam’s Vocabulary |
67-78 |
| 2024, 3 |
Mahrukh M. Taghiyeva |
On Some Errors in the Translation into Azerbaijani of Dostoevsky’s Novel “Devils” |
79-88 |
| 2024, 3 |
Marina V. Terekhova |
Irony in the Epistles and Amphiguri of Antony Pogorelsky |
89-102 |
| 2024, 3 |
Olga A. Chureyeva |
The World Soul Monologue from the Play “The Seagull”: Toward the Issue of Transmutation Adequacy |
103-114 |
| 2024, 3 |
Nadezhda K. Onipenko |
Once Again about the Isolation of Prepositive Attributive Phrases |
115-127 |
| 2024, 2 |
Irina V. Kryukova |
Santa-Barbara: Semantic Transformations in the Russian Linguistic Culture |
7-17 |
| 2024, 2 |
Valeriy M. Mokienko |
Alien in Its Own: Borrowings in the New Russian Phraseology |
18-36 |
| 2024, 2 |
Nina N. Rozanova |
Bosyakiʼ, ̔Bosotaʼand ̔Nishchebrodyʼ: the New Life of Old Word |
37-51 |
| 2024, 2 |
Elena V. Sen’ko |
Ambitious and Self-Sufficient, or the Change of Spiritual and Moral Paradigms |
52-64 |
| 2024, 2 |
Alina S. Alekseeva |
On the Origin of the Borrowing Верги in the Russian Northern-Western Dialects |
65-76 |
| 2024, 2 |
Ivan S. Dobrovol’skii |
The Rule of Replacing the Grave with an Acute in Church Slavonic: Further Details |
77-89 |
| 2024, 2 |
Ol’ga E. Belova |
Tyrannical Characters by A. N. Ostrovsky in View of the Primary Speech Genres |
90-97 |
| 2024, 2 |
Sergei A. Vasilev |
“Oh, You, That in Sorrow You Grunble Against God in Vain, Man!..” Functions of the Lomonosov Quote in N. V. Gogol's Comedy “The Inspector General” |
98-105 |
| 2024, 2 |
Darja M. Dedkovskaya |
“Composite formations” as a Stylistic Device (Based on the Material of D. I. Rubina's Novel “Maniac Gurevich”) |
106-116 |
| 2024, 2 |
Nika R. Testova |
Catherine the Great’s Pastoral Comic Opera “Fedul and His Children” as a Cultural Pattern |
117-127 |
